12/18/2022 0 Comments Frog leap studios spotify![]() Over time, this practice of artists taking publishing hasīecome normalized and until now, there has been no real unity within the songwriting community to fight back. This demand for publishing is often able to happen because the artist and/or their representation abuse leverage, use bully tactics and threats, and prey upon writers who may choose to give up some of their assets rather than lose the opportunity completely. These artists will go on to collect revenue from touring, merchandise, brand partnerships, and many other revenue streams, while the songwriters have only their publishing revenue as a means of income. Over the last few years, there has been a growing number of artists that are demanding publishing on songs they did not write. By the time of release, a song has been touched not just by the artist, but by songwriters, producers, mixers, engineers, record labels, publishers, managers, and more. Behind most songs, there is a story of collaboration. The beauty of the music industry is that it operates at its best as an ecosystem. ![]() “This body of songwriters will not give publishing or songwriting credit to anyone who did not create or change the lyric or melody or otherwise contribute to the composition without a reasonably equivalent/meaningful exchange for all the writers on the song.” There’s a lot we could say on this, but it’s probably best to let The Pact do the talking. Long story short, songwriters often wind up taking what amounts to a pay cut so an artist will record their song (eventually spinning on your automatic turntable) – the artist, or their management, will agree to record it only if they can have a percentage of the publishing.
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